180-Gram Colored Virgin Vinyl
Includes 1 Bonus Track
“The track everyone remembers is the long, sublimely relaxed lope through ‘Autumn Leaves’. Like Miles, Cannonball was never a fiery, virtuosic player. He knew his range and his limit, and within it, he could do anything, which is a fine art in itself.The contrast between the two frontmen, both insound and style is one of the album’s treats: throughout, Adderley’s vitalism is the perfect foil to Miles’s narroweyed lyricism.”
PENGUIN GUIDE TO JAZZ
“’Autumn Leaves’ and ‘Love for Sale’ will never mean the same after listening to this album, this masterpiece of the 1950’s which hasn’t aged at all today in 2020. Yes, Somethin’ Else is really somethin’ else.”
JAZZ MAGAZINE
Side A:
1. AUTUMN LEAVES 11:01
2. LOVE FOR SALE 7:07
3. FRAN-DANCE 5:49*
Side B:
1. SOMETHIN’ ELSE 8:15
2. ONE FOR DADDY-O 8:27
3. DANCING IN THE DARK 4:09
JULIAN “CANNONBALL”
ADDERLEY, alto sax
MILES DAVIS, trumpet
HANK JONES, piano
SAM JONES, bass
ART BLAKEY, drums
Hackensack, New Jersey, March 9, 1958.
Original session recorded by Rudy Van Gelder & produced by Alfred Lion.
*Bonus track: MILES DAVIS, trumpet;
JULIAN “CANNONBALL” ADDERLEY, alto sax;
JOHN COLTRANE, tenor sax; BILL EVANS, piano;
PAUL CHAMBERS, bass; JIMMY COBB, drums.
New York, May 26, 1958.
Original session produced by Teo Macero.
PENGUIN GUIDE TO JAZZ
“’Autumn Leaves’ and ‘Love for Sale’ will never mean the same after listening to this album, this masterpiece of the 1950’s which hasn’t aged at all today in 2020. Yes, Somethin’ Else is really somethin’ else.”
JAZZ MAGAZINE
Side A:
1. AUTUMN LEAVES 11:01
2. LOVE FOR SALE 7:07
3. FRAN-DANCE 5:49*
Side B:
1. SOMETHIN’ ELSE 8:15
2. ONE FOR DADDY-O 8:27
3. DANCING IN THE DARK 4:09
JULIAN “CANNONBALL”
ADDERLEY, alto sax
MILES DAVIS, trumpet
HANK JONES, piano
SAM JONES, bass
ART BLAKEY, drums
Hackensack, New Jersey, March 9, 1958.
Original session recorded by Rudy Van Gelder & produced by Alfred Lion.
*Bonus track: MILES DAVIS, trumpet;
JULIAN “CANNONBALL” ADDERLEY, alto sax;
JOHN COLTRANE, tenor sax; BILL EVANS, piano;
PAUL CHAMBERS, bass; JIMMY COBB, drums.
New York, May 26, 1958.
Original session produced by Teo Macero.